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You can also take advantage of Media Encoder for Blackmagic Design Video Assist and Blackmagic Design Color Assist. You can use these components on your video projects while still rendering the project using Media Encoder.

The other great Media Encoder feature that Tobias shows off in this tutorial and the one thats far more exciting is watch folders, which allows you to create automated encoding workflows. As the name suggests, watch folders are local folders on your computer that Media Encoder constantly scans for new media files. Whenever something new is added to a watch folder, Media Encoder will automatically transcode the file based on whatever preset you want.

The video converters abilities of Adobe Media Encoder are unrivalled in the market. It can import, edit, compress, convert and store any video and audio file format for playback on web, TV, DVD or Blu-ray. You can use it to edit, compress and convert to H.264, MP4, WMV, AVI, FLV, MP3, WAV, WMA. Media Encoder is so widely compatible, it could work almost anywhere. What is Adobe Media Encoder and what is it for

Luckily, Adobe Media Encoder is super easy to use. Each preset allows you to change the settings for things like codec, frame rate, resolution, bitrate, file size, frame size, audio channel, video crop and aspect ratio. Just select the appropriate preset, then you can adjust the audio, video and audio volume. The final step is to hit the Convert button and the file will be processed and either saved or uploaded to a network share. What is Adobe Media Encoder and what is it for

While the video format may not be your first choice, it can be a necessary evil for most professional video editing projects, especially if youre shooting footage that requires a higher bitrate. For example, even though Apple’s ProRes formats support up to 4K video on their iMovie, youre better off reducing the resolution of that footage than to drop the bitrate. These presets also helps you to reduce memory usage on your system which makes the app faster, and adds the ability to create proxies in the background.

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When you combine RAW capture with Adobe ProRes 4444 playback, you get a new standard in post workflow. ProRes Edit provides a lossless workflow that captures a wide dynamic range, with high-quality color rendering. The result is color quality that is unmatched. ProRes Edit is available in Adobe Media Encoder as an exclusive feature for 12G RAW capture, allowing post professionals to perform color correction after RAW capture.

Adobe Media Encoder 11 allows you to search, find, and navigate your media on any one of more than 10,000 drives. Using the new Color Info panels, you can search through your media on multiple drives, and pull out the information you need, directly from the browser.

Features like these and more make Premiere Pro the ultimate cross-platform suite for multicamera video editing. You can use it to edit on your PC, edit on your Mac (in the Mac application, or on Windows via Windows Movie Maker ) then share the finished project on a variety of platforms and devices. Most Mac users who use Premiere Pro and Windows Movie Maker have no need to ever use Adobe Media Encoder on the Mac. But if you edit on a Mac in Premiere Pro, the audio and video you edit and export in Premiere Pro is compatible with Patched Adobe Media Encoder Version, even if you stop editing at any point. So whether youre using Premiere Pro on Mac or Windows or youre using all three in tandem, youll always have the ability to easily send your media to Adobe Media Encoder.

We all know that a great workflow is built on solid and consistent storage methods for assets. Adobe Media Server offers you the flexibility to organize your assets any way you want. You can assign and classify the files according to whether they are sources, clips, or finished media, and you can manage your collection with multiple user accounts.

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Now you can also select different types of encodings, including hardware and software. I believe that software video encoders are more efficient at compressing videos than hardware encoders, but often they are not as fast. To change that you can change the Codec selection to Software.

If you’ve ever recorded a video in After Effects, you know how hard it can be to check your recording and make changes before you render. Adobe Media Encoder helps make this easy by allowing you to preview your project all at once.

For example, in this project I’ve opened an MXF file, edited it to include some titles and credits, and then added a few effects at the end of the clip. Using the timeline and encoding your files with Media Encoder will make it easier for you to change the whole project before you render.

Finally, I’m pleased to say that one of the great limitations of this software is that it does not come with new After Effects templates, but you can make your own! All you have to do is use one of the preset templates, and there are many of them at Adobe Stock so you can quickly and easily make a simple or complex template without even having a library of images! At the end, all you need is a series of small images with a place to drop in your text. Just make sure that the images will render the way you need them to, and you’ve got yourself a template set in no time!

Now, to show you how easy it is to take advantage of the options in Adobe Media Encoder, Ill dig up a couple of projects where I made use of a pre-rendered sequence. These projects have the same Premiere sequence that I made in the previous project. But first, I need to show you the video sequence that I exported in After Effects.

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• Provides automatic stitching as part of creating your VR Video.
• Allows automatic pan and tilt controls on the sides of your 360 video clip so you can preview the experience inside the sphere.
• Easily import VR Video media to Premiere Pro.
• Support for exporting the panoramic video to Facebook and YouTube.

• Windows version – 2000, 2003 – 2008, 2010 – 7
• 4 GB of RAM minimum
• 250+ GB of hard disk space minimum
• DirectX 9.0 and above video card with 256MB video memory
• 1280×1024 native resolution with 16:9 aspect ratio (1680 × 1050 is recommended)

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