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As a dedicated vocal-friendly toolset, VocalSynth 2 offers a host of features and a streamlined interface that make it the vocal synth of choice, and we also wanted to preserve a depth of appeal for those vocalists who own their own VocalSynth 1.
Brittlestrauss VocalSynth 2 was developed to fuse the more utilitarian approach of basic vocal processing to create a unique tone that adds depth to the song. As Im saying this you may recall an earlier post wherein I spoke about the Biovox in particular, which is the only VocalSynth 2 effect without any parameters to adjust. Thes also come with a very narrow bandwidth that makes them sound like the real thing. In contrast, the VocalSynth 2 effects can modulate the tonal response and create a more nuanced and tonally specific sound. For example, the Lead Companion 10 is able to alter the Vocoders natural timbre to create an emulated timbre that is similar to a vocoder on steroids. The gated synthesis filters and dynamics processor can further expand the sound, generating some exciting new vocal sounds. Finally, mixing flexibility is really the best part. By using the 5 synthesis modules of VocalSynth 2, you can dial in the exact balance that works best for the lead vocals.
Essentially, the combination of the 5 synthesis modules gives the user unparalleled access to the voice of your song. VocalSynth 2 is great for all vocal styles and even if you dont use the tone analyzer tool, there is enough content to keep your fingers moving. Because of its rich features and powerful effects, VocalSynth 2 is a great option for all vocalists regardless of their goals.
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Im not going to go into the specifics of VocalSynth 2 yet because it does provide so much functionality for the money. As much as I like to rag on the industry for charging such a high price for a VST/AU plugin, sometimes it pays off. And this really is one of those cases. If youre an advanced user and youre looking to perfect a vocal track, the iZotope engineers have put together the most complete package for your needs. With VocalSynth 2, theres no question as to whether its best to spend your money on a better audio interface or this product. If it were not for the big price tag, I wouldnt hesitate to give this a run in any situation that calls for a vocal plugin. Although, theres no question that its probably the best vocal plugin on the market, period. Its that good.
The overall position of the VocalSynth in this review reflects the fact that this plugin isnt for everyone. While its possible to use this plugin for any type of vocal track, I appreciate how much information is displayed about the Vocal Engine parameters and overall design. And if youre like me, this opens up a whole new world of exploration.
If the upcoming release of VocalSynth 2 is anything to go by, it’s going to be a big one. Version 2 is set to feature:
- a new VST synth engine that can play in real-time, allowing for real-time note changes.
- a ‘new’ stereo synthesis engine that can be used to add your voice for use in other contexts or to easily do multi-vocalling.
- an ‘advanced’ sound engine that offers the ability to program patches and store them on disk.
- a new version of the ‘old’ advanced view that fixes a lot of annoyances.
- new ‘transmogrification’ engines that allow for complete (hopefully!) control over the nuances of individual vocoders or synthesizers.
- etc., etc., etc.,
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Periodically, iZotopes staff will test the working condition of the Software by running various presets using the Simulator. By conducting these tests, iZotope will identify problems and generate any changes needed to continue to make the Software work properly. If it determines that the Simulator cannot work, iZotope will send notice to Licensee by e-mail providing details of the problem, including the Software name, version number and date of install. Any regular use of the Simulator will be considered use for the purposes of conducting the tests described above. Licensee understands that the Simulator may generate a limited number of errors, but it will do so without affecting the safe operation of the Software. Licensee acknowledges and agrees that the iZotope staff will attempt to fix any error which iZotope determines to be an error. If the problem cannot be fixed within 30 days, Licensee will not be able to use any presets, or download new presets, from the Software or use the Simulator. If such an error requires a change to iZotopes source code, the number of fix attempts will be increased. In case Licensee wishes to download presets, it must uninstall the Software from the simulator first, download presets again and restore the software back to the simulator.
This Agreement contains all legally binding terms between iZotope and Licensee. Unless specified in writing, iZotope grants Licensee a non-exclusive, royalty-free, fully paid, perpetual, transferable, freely assignable and sublicensable license for use of the Software and any presets, in the country of use. Licensee is hereby granted the right to use the name of iZotope in communicating with iZotope about the Software and to cite the Software by or through the name of iZotope without further payment to iZotope. In case the name of iZotope is placed by Licensee on any CD or other media containing the Software, this will be considered a paid license to use the name of iZotope.
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What’s new in iZotope VocalSynth
- The original five Vocal Engines are back and have been revamped for modern audio production. Users can layer multiple Vocal Engines to create pitch shifters, modulators, delay, chords, and more.
- Each of the five Vocal Engines has four settings that users can switch through for a different sound.
- VocalSynth now also includes the new chorus and ring modules. These are fun and unique effects for vocal users.
- The five Vocal Engines can now be moved and blended with a flick of a switch. For example, a user could have Vocal 1 blend with Vocal 2 as a delay effect or have Vocal 2 layered over the sustain of Vocal 1 for a pitch shifter effect.
- Ring Modulator now contains a filter option to sculpt the effect between the preset filter settings.
- Impulse Responses can be manually assigned to any module in VocalSynth for a more precise effect.
iZotope VocalSynth Features
- Fast, accurate synthesis for the most demanding producers
- Advanced multi-timbral synthesis modeled on the world’s finest synth gear
- Hundreds of onboard presets for smooth, immediate performance
- Stand-alone and plugin-compatible
- Jitter-free midi clock (patch exported with.mid and midi-mapped) ‐ no host dependencies
- 48 VST/AU/RTAS Audio Units compatible
- Native 64bit (MAC OSX, Win32, Linux)
- Ready-to-roll loops and MIDI files included
- Automation, Arp, Velocity, Drum and Parameter locks
- Advanced FX and DSP controls
- Technical support and free upgrade
- Steady, simple to learn user interface
- Mac OSX versions for VST, AU and RTAS available
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